WOOLVERTON
Linda

• 1. Career
• 1.1. First works
• 1.2. Works for Disney
• 1.3. Other works

Linda Woolverton (born December 19, 1952) is an American screenwriter, playwright, and novelist, whose most prominent works include the screenplays and books of several acclaimed Disney films and stage musicals. She is the first woman to have written an animated feature for Beauty and the Beast (1991), which is also the first animated film ever to be nominated for Best Picture at the Academy Awards. She also co-wrote the screenplay of The Lion King (1994), provided additional story material for Mulan (1998), and adapted her own Beauty and the Beast screenplay into the book of the Broadway adaptation of the film, for which she received a Tony Award nomination and won an Olivier Award.

Her recent work includes the screenplays for Alice in Wonderland (2010) and Maleficent (2014), both of which were significant box office successes. The former made her the first female screenwriter with a sole writing credit on a film that grossed $1 billion dollars. She subsequently wrote the screenplays of the sequels for both of those films—Alice Through the Looking Glass (2016) and Maleficent: Mistress of Evil (2019).

Career

First works

Upon the completion of her master's degree, Woolverton formed her own children's theater company. She wrote, directed and performed all over California in churches, malls, schools, and local theaters. She also began to work as a creative drama instructor in 1979. In 1980, she began working as a secretary for CBS, where she eventually became a programming executive concentrating on both children's and late-night programming. During her lunch breaks, Woolverton wrote her first novel, the young adult Star Wind. After quitting her job in 1984 and starting working as a substitute teacher, she wrote her second novel, the also young adult Running Before the Wind.[6] Released in 1986 and 1987, respectively, both were published by Houghton Mifflin.

During this time, Woolverton began penning scripts for children's television shows. From 1986 to 1989, she wrote episodes for animated series as Star Wars: Ewoks, Dennis the Menace, The Real Ghostbusters, The Berenstain Bears, My Little Pony and Chip 'n Dale Rescue Rangers.[5] After growing tired of writing for animated television shows, she expressed interest in working for Disney's theatrical animation studio, but was discouraged by her agent, who assessed that she "wasn't ready." Not agreeing with it, Woolverton went over to Disney offices in Burbank, California, and dropped off a copy of Running Before the Wind to a secretary, asking her to "give it to somebody to read." Two days later, she received a call from Jeffrey Katzenberg, then-Disney studio chairman, scheduling her for an interview.

Works for Disney

Woolverton was hired to write the script for Disney Feature Animation's Beauty and the Beast, thus becoming the first woman to write an animated feature for the studio. From early 1985 to 1988, two different teams of writers had taken a turn at adapting Jeanne-Marie Le Prince de Beaumont's tale into a feature film, but Woolverton succeeded by incorporating her own ideas into the story, such as making the protagonist a bookaholic. Upon its release in 1991, Beauty and the Beast received universal critical acclaim, becoming the first animated film ever to be nominated for the Academy Award for Best Picture, and winning the Golden Globe Award for Best Motion Picture – Musical or Comedy.

The success of Beauty and the Beast led Woolverton to work in several projects with Disney. She co-wrote the screenplay of the live-action film Homeward Bound: The Incredible Journey, released in 1993, and worked again with Disney Animation by helping the pre-production story development of Aladdin, released in 1992, and co-writing the screenplay of The Lion King, released in 1994. Both Aladdin and The Lion King were noted box office successes and received critical acclaim. During this time, she also adapted her own Beauty and the Beast screenplay into a Broadway musical, which opened to critical acclaim in 1994, leading her to be nominated for a Tony Award for Best Book in a Musical and to win an Olivier Award for Best New Musical. She provided additional story material for Mulan, released in 1998, and co-wrote the book of the stage musical Aida, which opened on Broadway in 2000 to critical acclaim.

In 2007, she completed a screenplay where an older Alice, from Lewis Carroll's Alice's Adventures in Wonderland, returns to Wonderland, from an idea she had in her head for many years. She presented the screenplay to producers Suzanne Todd, Jennifer Todd, and Joe Roth, who took it to Disney. The studio immediately accepted the project, attaching Tim Burton to direct. Released in 2010, Alice in Wonderland earned more than $1 billion at the worldwide box office, making Woolverton the first female screenwriter with a sole writing credit on a film that grossed $1 billion dollars.

In 2010, Disney invited her to write the screenplay of Maleficent, a retelling of the animated film Sleeping Beauty from the point of view of the titular villain. As with Beauty and the Beast, the film had been in development hell until Woolverton was attached to write it. She later described her version of the tale as a complete "reinvention, not just the retelling of the same story." Maleficent was released in 2014.

She subsequently wrote the screenplays of the sequels for both of those films—Alice Through the Looking Glass (2016) and Maleficent: Mistress of Evil (2019).

Other works

Woolverton wrote the book of the Broadway musical Lestat, an adaptation of The Vampire Chronicles by Anne Rice, which pre-debuted in 2005 in San Francisco to become the highest-earning pre-Broadway play in the city's history. The musical opened on Broadway in 2006. She co-wrote the narration script of the National Geographic theatrical documentary film Arctic Tale, released in 2007. In 2014, she announced that she was pitching a pilot for a television series. It was later announced that Lifetime had decided to adapt the novel The Clan of the Cave Bear with Woolverton as executive-producer of the series and writer of the pilot episode. The adaptation eventually was released as a television film.