Description
The Royal Albert Hall is a concert hall on the northern edge of South Kensington, London. One of the United Kingdom's most treasured and distinctive buildings, it is held in trust for the nation and managed by a registered charity which receives no government funding. It can seat 5,272.
Since the hall's opening by Queen Victoria in 1871, the world's leading artists from many performance genres have appeared on its stage. It is the venue for the Proms concerts, which have been held there every summer since 1941. It is host to more than 390 shows in the main auditorium annually, including classical, rock and pop concerts, ballet, opera, film screenings with live orchestral accompaniment, sports, awards ceremonies, school and community events, and charity performances and banquets. A further 400 events are held each year in the non-auditorium spaces.
The hall was originally supposed to have been called the Central Hall of Arts and Sciences, but the name was changed to the Royal Albert Hall of Arts and Sciences by Queen Victoria upon laying the Hall's foundation stone in 1867, in memory of her husband, Prince Albert, who had died six years earlier. It forms the practical part of a memorial to the Prince Consort; the decorative part is the Albert Memorial directly to the north in Kensington Gardens, now separated from the Hall by Kensington Gore.
History
1800s
In 1851 the Great Exhibition, organised by Prince Albert, the Prince Consort, was held in Hyde Park, London. The Exhibition was a success and led Prince Albert to propose the creation of a group of permanent facilities for the public benefit, which came to be known as Albertopolis. The Exhibition's Royal Commission bought Gore House, but it was slow to act, and in 1861 Prince Albert died without having seen his ideas come to fruition. However, a memorial was proposed for Hyde Park, with a Great Hall opposite.
The proposal was approved, and the site was purchased with some of the profits from the Exhibition. The Hall was designed by civil engineers Captain Francis Fowke and Major-General Henry Y. D. Scott of the Royal Engineers and built by Lucas Brothers. The designers were heavily influenced by ancient amphitheatres but had also been exposed to the ideas of Gottfried Semper while he was working at the South Kensington Museum. The recently opened Cirque d'Hiver in Paris was seen in the contemporary press as the design to outdo. The Hall was constructed mainly of Fareham Red brick, with terra cotta block decoration made by Gibbs and Canning Limited of Tamworth.
The dome (designed by Rowland Mason Ordish) was made of wrought iron and glazed. There was a trial assembly of the dome's iron framework in Manchester; then it was taken apart again and transported to London by horse and cart. When the time came for the supporting structure to be removed from the dome after reassembly in situ, only volunteers remained on site in case the structure collapsed. It did drop – but only by five-sixteenths of an inch (7.9 mm). The Hall was scheduled to be completed by Christmas Day 1870, and the Queen visited a few weeks beforehand to inspect.
The official opening ceremony of the Hall was on 29 March 1871. This had originally been scheduled for 1 May, the twentieth anniversary of the opening of the Great Exhibition, but was brought forward at the request of Queen Victoria. A welcoming speech was given by Edward, the Prince of Wales because the Queen was too overcome to speak; "her only recorded comment on the Hall was that it reminded her of the British constitution".
In the concert that followed, the Hall's acoustic problems immediately became apparent. Engineers first tried to remove the strong echo by suspending a canvas awning below the dome. This helped and also sheltered concert-goers from the sun, but the problem was not solved: it used to be jokingly said the Hall was "the only place where a British composer could be sure of hearing his work twice".
In July 1871, French organist Camille Saint-Saëns performed Church Scene from Faust by Charles Gounod; The Orchestra described his performance as "an exceptional and distinguished performer ... the effect was most marvellous."
Initially lit by gas, the Hall contained a special system by which thousands of gas jets were lit within ten seconds. Though it was demonstrated as early as 1873 in the Hall, full electric lighting was not installed until 1888. During an early trial when a partial installation was made, one disgruntled patron wrote to The Times, declaring it to be "a very ghastly and unpleasant innovation".
In May 1877, Richard Wagner himself conducted the first half of each of the eight concerts which made up the Grand Wagner Festival. After his turn with the baton, he handed it over to conductor Hans Richter and sat in a large armchair on the corner of the stage for the rest of each concert. Wagner's wife Cosima, the daughter of Hungarian virtuoso pianist and composer Franz Liszt, was among the audience.
The Wine Society was founded at the Hall on 4 August 1874, after large quantities of cask wine were found in the cellars. A series of lunches were held to publicise the wines, and General Henry Scott proposed a co-operative company to buy and sell wines.
1900s
In 1906 Elsie Fogerty founded the Central School of Speech and Drama at the Hall, using its West Theatre, now the Elgar Room, as the school's theatre. The school moved to Swiss Cottage in north London in 1957. Whilst the school was based at the Royal Albert Hall, students who graduated from its classes included Judi Dench, Vanessa Redgrave, Lynn Redgrave, Harold Pinter, Laurence Olivier and Peggy Ashcroft.
In 1911 Russian pianist and composer Sergei Rachmaninoff performed as a part of the London Ballad Concert. The recital included his 'Prelude in C-sharp minor' and 'Elegie in E-flat minor' (both from Morceaux de Fantaisie).
In 1933 German physicist Albert Einstein led the 'Einstein Meeting' at the hall for the Council for Assisting Refugee Academics, a British charity.
In 1936, the Hall was the scene of a giant rally celebrating the British Empire on the occasion of the centenary of Joseph Chamberlain's birth. In October 1942, the Hall suffered minor damage during World War II bombing, but in general was left mostly untouched as German pilots used the distinctive structure as a landmark.
In 1949 the canvas awning was removed and replaced with fluted aluminium panels below the glass roof, in a new attempt to cure the echo; but the acoustics were not properly tackled until 1969 when large fibreglass acoustic diffusing discs (commonly referred to as "mushrooms" or "flying saucers") were installed below the ceiling. In 1968, the Hall hosted the Eurovision Song Contest 1968 and from 1969 to 1988 the Miss World contest was staged in the venue. In 1995, Greek keyboardist Yanni performed a concert there for his World Tour; the concert was recorded under the name of Live at Royal Albert Hall.
In the 1970s (1970-76) the hall hosted the Rothmans International Tennis Tournament, an indoor tournament which from 1973 was part of the World Championship Tennis circuit.
From 1996 until 2004, the Hall underwent a programme of renovation and development supported by a £20 million grant from the Heritage Lottery Fund and £20m from Arts Council England to enable it to meet the demands of the next century of events and performances. Thirty "discreet projects" were designed and supervised by the architecture and engineering firm BDP without disrupting events. These projects included improved ventilation to the auditorium, more bars and restaurants, improved seating, better technical facilities, and improved backstage areas. Internally, the Circle seating was rebuilt during June 1996 to provide more legroom, better access, and improved sightlines.
2000s
The largest project of the ongoing renovation and development was the building of a new south porch – door 12, accommodating a first-floor restaurant, new ground floor box office and subterranean loading bay. Although the exterior of the building was largely unchanged, the south steps leading down to Prince Consort Road were demolished to allow construction of underground vehicle access and a loading bay with accommodation for three HGVs carrying all the equipment brought by shows. The steps were then reconstructed around a new south porch, named The Meitar Foyer after a significant donation from Mr & Mrs Meitar. The porch was built on a similar scale and style to the three pre-existing porches at Door 3, 6 and 9: these works were undertaken by Taylor Woodrow Construction. The original steps featured in the early scenes of the 1965 film The Ipcress File. On 4 June 2004, the project received the Europa Nostra Award for remarkable achievement.
The East (Door 3) and West (Door 9) porches were glazed and new bars opened along with ramps to improve disabled access. The Stalls were rebuilt in a four-week period in 2000 using steel supports allowing more space underneath for two new bars; 1,534 unique pivoting seats were laid – with an addition of 180 prime seats. The Choirs were rebuilt at the same time. The whole building was redecorated in a style that reinforces its Victorian identity. 43,000 sq ft (4,000 m2) of new carpets were laid in the rooms, stairs, and corridors – specially woven with a border that follows the oval curve of the building.
Between 2002 and 2004, there was a major rebuilding of the great organ (known as the Voice of Jupiter), built by "Father" Henry Willis in 1871 and rebuilt by Harrison & Harrison in 1924 and 1933. The rebuilding was performed by Mander Organs, and it is now the second-largest pipe organ in the British Isles with 9,999 pipes in 147 stops. The largest is the Grand Organ in Liverpool Cathedral which has 10,268 pipes.
During the first half of 2011, changes were made to the backstage areas to relocate and increase the size of crew catering areas under the South Steps away from the stage and create additional dressing rooms nearer to the stage.
From January to May 2013, the Box Office area at Door 12 underwent further modernisation to include a new Café Bar on the ground floor, a new Box Office with shop counters and additional toilets. The design and construction were carried out by contractor 8Build. Upon opening it was renamed 'The Zvi and Ofra Meitar Porch and Foyer.' owing to a large donation from the couple.
In Autumn 2013, work began on replacing the Victorian steam heating system over three years and improving and cooling across the building. This work followed the summer Proms season during which temperatures were unusually high.
In 2017 work began on a two-story 11,000-square-foot (1,000 m2) basement extension for use as backstage and archival space to the south-west quadrant of the building. The project is nicknamed the "Great Excavation", in reference to the Great Exhibition of 1851, and was planned to be complete for the Halls 150th anniversary in 2021.
Due to the COVID-19 pandemic, restrictions meant the Hall was closed for the first time since the Second World War. During winter 2020 it reopened for three socially distanced performances but was later closed for a second period.
